How to Quilt: Setting Up Your Machine

by Terry White

Setting up your machine and space is very important. It’s nice to have things all together before you begin to stitch so that you can concentrate on what you are doing.

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Use an extension table so that you have a nice flat surface on which to move your quilt around. I place a Super Slider on my machine bed which allows the quilt to have nice movement while I quilt.

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For more extension space, I have a couple of smooth boxes that are the same height as my sewing bed. You can buy big extension tables, have your machine set into a table or use stacks of books. The larger the flat area you have the easier it is to manipulate your quilt while stitching.

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Sewing machines today have a variety of feet just for free-motion work. I like to use the open toe free motion or darning foot. This foot allows me to see where I’m stitching. This foot will hover or bounce on top of your quilt which keeps the quilt from jumping up (which it does if you don’t use a foot) while allowing you to move the quilt freely under the foot. Your feed teeth need to be dropped, so that the teeth aren’t grabbing your quilt from underneath. Some machines use a cover instead of a drop feature.

In any case, it is good to use your sewing machine manual for the settings, available feet and how to drop or cover the feed teeth. The manual that comes with your machine is a great resource for information on all aspects of your machine.

I keep several bobbins full of thread when I’m quilting. Use the same type of thread in the bobbin as in the top. Make sure that you can pull the thread freely from the bobbin case. I have a second bobbin case for my machine which I can adjust for different thread thicknesses. My first bobbin case is never adjusted. Once you break that seal on the bobbin case, it never goes back to normal.

Use a 90/14 machine embroidery needle. This needle will pierce through all layers like butter because it has a sharp point. It is big enough to protect your quilt thread from shredding… and it lasts a long time.

I use the Halo in conjunction with the Super Slider. The Halo is a weighted hoop with a rubbery coating. The coating grips the fabric, so it moves along with the hoop. The weight keeps the hoop in place. This is the perfect set up for quilting with a domestic sewing machine.

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Here is my quilt ready to go. I am using a thread stand separate from my machine to deliver thread from my oversize spool. On the tray to the right of the machine, you can see my paint brush which I use to clean out the bobbin area every time I change a new bobbin. My Havel’s Ultimate Embroidery Scissors are also on the tray…I use those for snipping threads as I quilt.

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Before I begin to quilt, I practice my quilting design on a sample piece. Here is my quilt design on a clipboard in my sight as I quilt. This is to remind me of what I’m doing.

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Set up your machine with a straight stitch. I set the stitch length at its longest length. This fools the machine into thinking that you are basting and it gives extra free-flow to your stitch. The upper thread tension will vary from machine to machine. This is something you will have to adjust during your practice piece until you have a balanced stitch. When you have found the best balance, write down the settings so you can set up the machine at a later date.

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To begin, quilt around the appliqué shapes first so that the shapes don’t get distorted. Put your needle down and up, draw up the bobbin thread. Hold threads together in your hand and take a few stitches.

Get your needle sewing before you move your hoop. With practice, you will find a comfortable speed. You will coordinate the speed of the needle with the way you move your hands to have a nice consistent movement and stitch length. Moving your hands in a jerky fashion can affect your stitch quality.

Keep the thread ends long enough to bury them into the layers of the quilt with a hand needle when the quilting is finished.

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Stitch along the edge of the appliqué shapes.

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When you come across the basting stitches, snip them instead of stitching over them.

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After stitching the outside of the appliqué shapes, quilt a design inside the shapes.

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The quilt design in the nine patches is made up of oranges and leaves. One little square is quilted at a time and just move along to the next square to quilt.

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You can see how a design in one square flows into the next.

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The way I handle an overlapping appliqué design is to squish a smaller
quilt design into the squares.

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Here is the quilt design in the plain square fabric block.

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Here you can see how the different quilt patterns flow from
one block to the next at the corners.

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Here is another view of the quilt design. It seems like the leaves are
emanating from the orange.

Bind your quilt! (click here) 

I like to give the quilt a final Steam press. Press the binding, too, it is a nice finish.

Enjoy the process of quilting. It is a lot more fun to plan several quilting sessions than to hurry up and finish in order to get to the next thing.

Click here for more articles by Terry White.

For the best quilting scissors, click here….and read what other’s are saying about their Havel’s scissors.

Posted in Guest Writers, How to Make a Quilt, How to Quilt, Machine Quilt, Make a Nine-Patch, Quilting, Terry White, Uncategorized | Tagged , , , | Comments Off on How to Quilt: Setting Up Your Machine

Quilt Inspirations by Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Jeannie Palmer Moore, Escondido, California-Artist, teacher, writer, chef, gardener, mother and wife.

“Milo” my 14-year old Labrador inspired me to design this quilt.  It’s our ritual, since every morning Milo patiently waits by the door anticipating the retrieval of the newspaper, rain or shine.  It’s a ritual that creates a smile for each new day.

Milo by Jeannie P. Moore

Milo by Jeannie P. Moore

 

Rachel Parris, Birmingham, Alabama-Artist, wife, friend, poet, photographer, quilter, avid reader.

The inspiration came from a deep joy that bubbles up within me whenever I get together with the amazing women I have come to know and love through IQF.  I am always honored to lead the toast at our dinners.  “Here’s to strong women.  May we raise them.  May we know them.  May we be them.”  We are strong women made stronger by our friendship.Rituals 074-resize

 

Judy Coates Perez, Sacramento, California-Artist, quilter, painter, teacher, writer.

“8 of Cups” was inspired by a time in my life, when I was going through a very difficult emotional time and the painting came from a purely cathartic place, while I worked through the pain I was experiencing.

8 of Cups by Judy Coates Perez

8 of Cups by Judy Coates Perez

 

Yvonne Porcella, Modesto, California-Wife, mother, grandmother, mother of a grandmother, artist, author, teacher, traveler, board member, ovarian cancer survivor.

Time of day or season is required for most rituals, “You’re Invited” at a certain time and date, inspired me after attended two weddings and enjoying that special cake, exquisite flowers, visiting friends and relatives. At this time in my career, I am honored to be invited to contribute my art to exhibits and make quilts to donate for worthy causes.Rituals 076

 CLICK HERE FOR MORE INFORMATION ON DINNER AT EIGHT ARTISTS

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Quilt Inspirations by Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Carol Larson, Petaluma, California-Textile artist who dyes, paints, waxes and stitches cloth; writer, community volunteer.

“Keeping Up Appearances #5” – When I was a kid one of my chores was to set the table for dinner. Granted it was not a formal setting but the ritual is what inspired this piece. I screen-printed text from Amy Vanderbilt’s Complete Book of Etiquette to a thrift shop cotton tablecloth. The text is about women’s place in the home or office circa 1952. This is one of a series dealing with mid-century manners.

Keeping Up Appearances #5 by Carol Larson

Keeping Up Appearances #5 by Carol Larson

Jayne Larson, Indianola, Washington-Artist

“Spring Cleaning- Renewal and Release”  View from my home.  I have been hand stitching has become a key element in her work in the past few years.  I like the unique personal quality, almost like handwriting, and the energy that stitching gives the work.

Spring Cleaning - Renewal and Release by Jayne Larson

Spring Cleaning – Renewal and Release by Jayne Larson

 

Linda Teddlie Minton, San Antonio, Texas-Artist, avid reader, doll-maker, and beader.

“Kissing the Cat Goodnight” was inspired by our pets, who love us unconditionally, and stay loyally by our sides for their whole lives, unlike people in our lives that may come and go.  I’m a “love me, love my cat” kind of gal!  My one remaining cat insists on “tucking me in” before he will go to bed, so “Kissing the Cat Goodnight” is really his ritual as much as mine.

Kissing the Cat Goodnight by Linda Teddlie Minton

Kissing the Cat Goodnight by Linda Teddlie Minton

 

Susie Monday, Pipe Creek, Texas-Artist, teacher, ridge-walker, iPad fanatic.

“Lost Rituals: Grief” revives, if only on the wall, the act of cutting one’s hair as a ritual of grief. Hobbies? Travel: actual, virtual, in books and movies or just in flights of imagination.

Lost Rituals:  Grief  by Susie Monday

Lost Rituals: Grief by Susie Monday

CLICK HERE FOR MORE INFORMATION ON DINNER AT EIGHT

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Quilting Inspirations by Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Pamela Price Klebaum, Ventura, California-Artist, jock, forever-student.

“Figure Drawing”  was inspired by the ritual rite of passage in art school — studying the elegant topography of the human form. That investigation of line and shadow went on to inform all my artistic endeavors. Passions – kilnformed glass artist.

Figure Drawing Class by Pamela Price Klebaum

Figure Drawing Class by Pamela Price Klebaum

 

Sherry Davis Kleinman, Pacific Palisades, California-Fiber and Mixed Media Artist, Wife, Mother.

I was inspired by the rituals of a Geisha‘s outward and inward search for beauty.  It is a universal search across cultures.  The Geisha’s process is a stark contrast to my more modest daily beauty rituals. I am passionate about:  all kinds of arts, crafts, knitting, crocheting, listening to audio books.

Geisha-Beauty Rituals of the Japanese Geisha by Sherry Kleinman

Geisha-Beauty Rituals of the Japanese Geisha by Sherry Kleinman

 

Susan Brubaker Knapp, Mooresville, North Carolina-Fiber artist, writer, mother, wife, nature lover, bookworm, tree hugger, home renovator, gardener.

“I See the Moon” was inspired by my parents’ love and strength, and to thank them for what they gave me as a child … a sense that all was right with the world, that they were there to help and support me no matter what. The name comes from a song they used to sing to me as a child; it is a ritual I repeated with my own children, and one that I hope they will sing to their children.

I See the Moon by Susan Brubaker Knapp

I See the Moon by Susan Brubaker Knapp

 

Jane LaFazio, San Diego, California-Artist, stitcher, watercolorist, yoga lover.

Nature Journal 2012″ came about over the course of a year or so, and working piece by piece, I tried to capture simple, every day, moments in time, through writing, layering, drawing, and stitching. Sewn together they become a journal of sorts, honoring my daily rituals of drawing and stitching.

Nature Journal by Jane LaFazio

Nature Journal by Jane LaFazio

Click here for additional information about Dinner at Eight Artists

 

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Quilting Inspirations by Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Leslie Tucker Jenison, San Antonio Texas-Artist, mother of 3 artists, wife, nurse, friend, pilot, teacher, board member, photographer, cook, reader, dog lover, traveler, observer.

“The Coffee Break”  refers to a long-running email conversation with my friend and teaching partner, Jamie Fingal. When I see “coffee break” in the subject line, I know to get my cuppa and put my feet up, because it will be a long conversation in print.

The Coffee Break by Leslie Tucker Jenison

The Coffee Break by Leslie Tucker Jenison

 

Lisa Kijak, Irvine, California-Artist, art therapist, mother.

“Neon Coffee, Los Angeles” is part of a series I am working on inspired by old neon signs. I am interested in texture and how it can capture the passage of time. Peeling paint, weathered patinas, chips, cracks and scratches are all marks of moments that have passed. Layers of fabric, raw edges exposed, mimic those surfaces well. When I was invited to participate in Rituals, this coffee sign immediately came to mind. As a mother of young children, my day is fueled by caffeine. The same drink, at the same time, every day.

Neon Coffee, Los Angeles by Lisa Kijak

Neon Coffee, Los Angeles by Lisa Kijak

 

Lyric Montgomery Kinard, Cary, North Carolina-artist, teacher, mom, traveler, music lover, chief schlepper of kids.

“Links” is about the connection between friends, between families, between humans. Avocations? mothering, art making, playing french horn, gardening.

Links by Lyric Montgomery Kinard

Links by Lyric Montgomery Kinard

 

Susan Fletcher King, Houston, Texas-Artist, mother, wife, observer,

“Moon Drunk.”  One of the bonuses of living in Houston is using our screened-in porch for (at least) 3 seasons a year.  Sometimes, if we time it right, we will watch the moon rise and as it does, the bounty of insects we have here in Houston seem to rise with it.  If we are really lucky, the light of the rising moon shows a beautiful trail of small moths and other flying creatures that only come out at night.

Moon Drunk by Susan Fletcher King

Moon Drunk by Susan Fletcher King

Click here for more information on Dinner at Eight Artists

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