Fabric Art

Many Techniques for Working with Fiber, Inspire Area Artists

By Kathryn Bassett kathrynb@kpcnews.net
Sunday, 16 October 2011 07:35

Many Techniques For Working With Fiber Inspire Area Artists-Image 1

Lina Zerkle creates portraits or free-form images representing characteristics of individuals in her quilts.
Photo By Chad Kline



Lina Zerkle blends bold shapes, strong colors, patterns, textures and her own sense of humor to create unique, nontraditional artwork in fabric form.

“It’s more than just technique,” she said of her work. “Once you get the techniques down, you’re free to do whatever you want and break the rules.”

Fiber art is a style of fine art that uses textiles. Quilting, knitting, felting, braiding and flocking and among the forms of fiber art.

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Lina Zerkle of Waterloo takes an improvisational approach to her work when making quilts and wall hangings.
Photo by Chad Kline







Taking an improvisational approach to her work, Zerkle, of Waterloo, makes quilts and wall hangings. In addition to abstract designs, Zerkle creates self-portraits, portraits of friends and family members or free-form images representing characteristics of individuals, she said.

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Lina Zerkle of Waterloo has experimented with constructing three-dimensional fabric vessels and bowls. Photo By Chad Kline

“My abstract pieces convey moods and express feelings, communicate ideas or tell stories. It is my way to bring order out of chaos,” Zerkle said.

Influenced by her love for clay pottery, Zerkle also has experimented with constructing three-dimensional fabric vessels and bowls.

Zerkle’s work has been exhibited across northeast Indiana at locations such as Artlink in Fort Wayne, shows in Auburn, the Midwest Museum of American Art in Elkhart, the Elkhart Visitors Bureau and the Lerner Performing Art Center in Elkhart.

“Design, color, movement, energy, spirit, joy and humor are important aspects of my work,” said Zerkle. “I enjoy what I do.”




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Fiber artist Cher Coburn of Auburn has created berets, bags, scarves and art pieces using the technique of crofusion.
Photo by Kathryn Bassett

Cher Coburn of Auburn has spent her whole life
in the arts.

Through the art of crofusion, Coburn found her voice expressing who she is artistically, she said.

Crofusion is a form of fiber art that involves felting
of crochet.

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Fiber artist Cher Coburn of Auburn entitled this piece of crofusion “I Felt Like Scrumbling.” The piece, which takes on the form of a bag, is Coburn’s favorite creation.
Photo Contributed











“I identify with it because its beginnings are like the many threads of my life crocheted together, looking much like ugly ducklings. However once fused together, (they) form the beautiful basis of my world,” Coburn said.

“Finishing with beads, baubles and more represent the many blessings and people in my life and, because of them, the pieces become completed works.”

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Fiber artist Cher Coburn used the technique of crofusion, which brings together crocheting and felting, to create this poppy. Photo Contributed




“I’ve crocheted since (age) 16,” Coburn said. “I never followed patterns, and I wanted to do something different. I never followed the norm.

“I have a friend who does free-form crocheting and a friend who was doing felting. I thought the two things together would be really cool.”

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Cher Coburn took first place in a contest at the Texas State Fair with this bag, which she created using the technique of crofusion.
Photo Contributed







Bags, berets, scarves. wall hangings and other art pieces are among Coburn’s crofused creations. Her work can be seen at Expressions Gallery in Auburn and Sozo’s in Kendallville.










Many Techniques For Working With Fiber Inspire Area Artists-Image 8

Martha Snyder of Topeka spends a lot of time at her sewing machine to piece together several sections of fabric to create award winning quilts.
Photo By Chad Kline


Martha Snyder of Topeka expresses herself artistically through the technique of applique. A day does not go by that Snyder is not working on a quilt or applique project, she said.

A seamstress all her life, Snyder began quilting in the early 1980s after taking a class in New Haven.

“That got me started. I’ve been quilting ever since,” she said.

Snyder now focuses her talents on needleturn applique work. Using a pattern, Snyder cuts out pieces of fabric and hand-stitches them onto a background.

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Martha Snyder of Topeka uses needleturn appliqué in her quilt designs. Using a pattern, Snyder cuts out pieces of fabric and hand-stitches them onto a background. Photo By Chad Kline




Using the applique technique, Snyder has created a series of mural quilts that depict scenes of lighthouses, churches and covered bridges, barns and trains. Snyder said she uses different types of stitching, embroidery and fabrics on these works.

“You find different fabric that looks likes stone or grass, hills, water and sky,” she added.

Snyder’s favorite piece is entitled, “Ladies of the Sea,” and shows 16 Old World ships from different countries, surrounded by an applique border of flowers. The quilt was judged best of show at the 2010 Shipshewana Quilt Festival and received the viewers’ choice award at the 2010 Appleseed Quit Show in Fort Wayne.


What is your favorite style of fabric art? Have you created your own style?
Share it here with us, we’d love to hear from you.

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How To Make A Quilt: Part 3 – Threads for Machine Quilting

Essential Materials for the Beginner Quilter

By Terry White

Quilters are an emotional group of people. We tend to fall in love with a thread, a pair of scissors, a sewing machine or fabric. After we love it, we defend it and try to convince everyone that, “mine is the best!” Please keep this in mind when I give you advice…I am suggesting materials for the beginner. When you get to know all the products available, then you will make informed choices.

Threads - Essential Materials Image 1

 

The variety of threads available today is wonderful! I have almost never met a thread I didn’t like. However, I didn’t like the 4 for a dollar thread…it was bad thread.

The problem with too many choices is, “What do you need?”

You Need:
• Thread to sew patchwork together
• Thread to stitch appliqué shapes onto fabric
• Thread for the bobbin
• Thread to baste the quilt
• Thread to quilt the quilt
• There are even more choices when it comes to
decorative stitching on the surface of the quilt!

Sewing Patchwork

When you sew patchwork on the sewing machine, you want a thread that is of consistent high quality and will give you a good even stitch.

Threads - Essential Materials Image 2

 

Coats&Clark Dual Duty regular sewing thread – this is a polyester thread of good quality that most people use. Many good clothing designers and manufacturers use this thread, also.

100% cotton thread – some people feel very strongly about piecing cotton fabric with cotton threads. This thread is also used for appliqué and quilting.

Threads - Essential Materials Image 3

 

The picture shows a group of 24 colors of STAR cotton thread which I designed, King Tut, Gutermann, Metrosene are favorite threads for piecing.

I use regular sewing thread for patchwork. It is economical and because this thread doesn’t “show” in the work, it doesn’t have to be fancy. Use a thread that blends well with your fabrics so that it doesn’t show.

Stitching Appliqué

Appliqué shapes can be stitched with any good quality thread – depending on the look you want. I think that you should start with either cotton or rayon as these threads behave well in the sewing machine.

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The picture shows rayon threads from several different companies. As you can see, rayon thread has a lovely sheen like silk. It actually is a silk substitute (silk thread is very expensive). Rayon thread will shrink and fade after time and it isn’t as strong as cotton. That is why many people use it decoratively in machine embroidery and to enhance appliqué.

The polyester threads that have recently come on the market are quite superior to the old polyesters and give the same look as rayon. They are very good for quilting.

Bobbin Thread

This term can be confusing…there are specific threads called, “bobbin thread”; and any thread that you put in the bobbin will be called “bobbin thread”. Threads called, “bobbin thread” are usually a lightweight thread that is used for programmed machine embroidery. For our purposes, the bobbin thread is that which is put in the bobbin.

When sewing patchwork, use the same thread in the bobbin that you will use in the top of your sewing machine, or, “the needle thread”.

When stitching appliqué shapes to the top of your quilt, use a regular sewing thread in the bobbin, even when you use a cotton or rayon in the needle thread.

When quilting, the bobbin thread should be the same thread as in the needle thread.

Basting Thread

When you baste, you are stitching the quilt top, batting and backing together with very large stitches. This keeps everything in place as you quilt. I use a very strong hand quilting thread for this. I like to use a thread that is similar in color or as light in color as the quilt.

Quilting Thread

There are many threads labeled as “machine quilting” threads…they are all good. The polyesters and cotton threads are the same as described above. Don’t use hand quilting threads, they don’t work well in your sewing machine.

For more information on how to quilt for beginners,
and free projects by Terry, click here.

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How To Make A Quilt: Part 2 – Quilting Fabric

Quilting Fabrics Essential for the Beginner

by Terry White

Cotton Fabric
When you are new at something, it is best to use the easiest materials. When it comes to sewing a quilt, the best material to use is 100% cotton fabrics. It is very easy to find cotton fabric for quilting these days. Walk into any fabric store and they will have a whole section for quilting. Look at and feel these fabrics. The feel will be a medium weight fabric with body. This is different from lightweight fabrics or upholstery fabrics. There will be a natural feel to the fabric as well, not slippery or heavy or rough. So, this fabric is perfect for cutting out shapes for appliqué or cutting and stitching patchwork.

You will see a beautiful variety of colors and patterns in these cotton fabrics. Where do you start? My first advice is to start with your favorite colors and styles. You will enjoy the process with every quilt you make if you use fabric in the colors and patterns that you love. Here are three representative groups of fabric:

Essential Quilting Material-Japanese Fabrics
The first group of fabrics is of Japanese design and interspersed with small printed fabrics. The Japanese patterns are rather large and spray across the fabric. The smaller prints sort of contain the large prints and work well together in a patchwork quilt. The colors of the small prints also bridge the colors of the large prints. So, if you like Japanese style and bright intense colors, then this group may appeal to you.

Essential Quilting Material-Traditional Fabrics
This second fabric grouping is of more old-fashioned or traditional prints. You will find this type of printed fabric in quilts made in the early to mid 1900’s. The fabrics in the photo are reproductions of those old-fashioned fabrics. Quilters who like this style of quilts tend to like a muted color palette and traditional quilt patterns.

Essential Quilting Material-Batik Fabrics
This group of fabrics is called Batik. Batiks are made in India and the prints are made by printing the fabric with wax and then they are dyed in various colors. The wax is then melted away, leaving the printed image. So, the prints won’t be perfect even though they are perfectly beautiful. Batik is more tightly woven then regular cotton fabric and some of the wax residue will remain, so they are a little tougher and stronger than regular cotton prints. This group is also very bright in color and appeals to some quilters.

I have shown you three different groups of fabrics, each of which is very popular among quilters. There are many more and lots to learn. You must make your own choices. The more quilts you make (or look at) the more you will learn about how the colors and prints of fabrics work together.

Essential Quilting Materials-Contrasting Materials
The pattern you will use for your first quilt will also help to determine what fabrics you choose. For example, if you make a pattern which requires high contrast among the fabric pieces, then it will be important to choose dark, medium and light colors to create that contrast. The example to the left is a detail from a Seminole patchwork quilt. The high contrast is created by using colors that contrast as well as dark, medium and light of one color (blue in this case).

Pre-wash your fabrics
There are several reasons to pre-wash your fabric before starting a quilt. Cotton fabrics are finished with assorted chemicals to make them look good in the store, help prevent wrinkles and adds a sheen.

The chemicals can:
1. be harmful to one’s skin over long periods of exposure;
2. hide the real qualities of the fabric by filling in the weave of the fabric and giving the appearance of a finely woven material;
3. be holding in dyes that may run when washed.

Backing Fabric
You want to use the same high quality cotton fabric for the back of your quilt as for the top. Some people use sheets, but this isn’t a good idea because sheets usually have a polyester content in them which causes the needle to skip when machine quilting. If the quilt is to be hand quilted, needling through polyester/cotton mix is very hard. If the sheet used is very high thread count cotton, this is just as hard to work with as the poly/cotton blend. If you have a 100% cotton sheet that feels like your regular cottons used for the top, then this will be fine to use.

Next: Quilt Battings & Threads.

For more information on how to quilt, especially for the beginner, click here.

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Appliqué

6 Tools Necessary for Appliqué

By RaeAnn Rex

Applique

If you have even basic sewing tools such as scissors, needle and thread, you can successfully learn how to appliqué designs onto your next project. However, there are some great tools out there, some of which are made with a very specialized purpose, that can make appliquéing a simple process. If you’ve ever run from an appliqué project because you didn’t know how to appliqué more difficult pieces, these tools may just make you change your mind.

Tools for Planning and Stabilizing

1. Clear Plastic – When planning your work, it can be helpful to see the big picture. Some appliqué work may be pieced from several smaller pieces, as in the case of adding people or flowers. Using a marker, trace the design onto clear plastic, so that you can determine the placement of each smaller piece before sewing them into place. While the drawing will not have any seam allowances shown, be sure to leave a small allowance on each smaller piece for sewing.

2. Fusible Web or Stabilizer – When working with stretchable fabrics, it is essential to stabilize them in order to prevent pulling and stretching. Other fabrics can also be easier to work with when using a fusible stabilizer, to keep the item in place while stitching. Fusible web will not need to be removed, but some of the fusible stabilizers will. These can either be placed on the wrong side of the main fabric the appliqué is being applied to, or they can be ironed to the wrong side of the appliqué to stabilize it. Stitch the piece down normally until you have enough of it in place that you don’t need the stabilization, then remove the paper with hemostats or tweezers before finishing it off. Freezer paper can be used as an inexpensive stabilizer in this manner.

Tools that Make Difficult Sections Easy

Tube Turners

3. Tube Turners – Making a tube with right sides together, you can use a tube turner to pull it back through. These all work on the premise that you push them through the tube and then pull it right side out.

4. Bias Pressing Bars – To avoid turning tubes, try using a pressing bar to make your tubes. Sew the tube wrong sides together, then insert the pressing bar, scoot the seam over to the middle, and press it flat. You can then put the seam side down, and appliqué it to the project easily!



Circle Rotary Cutter OLF CMP-3hr5. Circle Rotary Cutter – These little cutters are much like a compass. There is a measuring guide to allow you to choose the size of the circle, and the rotary blade makes cutting circles easy. Set the size first, then position the center point in the center of the circle you want to cut. With the blade in, make a quick circle to check that you have enough fabric, then pop the blade out, and with even pressure, cut the circle.

6. Circle Templates – Once you have your circles cut, put in a quick running stitch around the edge of them by hand. Insert a circle template into the middle, and tug the thread gently to gather the edges tight around the mica template. Adjust the gathers to be sure they are even, and press into place. You can then add a liquid stabilizer and let dry, press again, and then remove the template when it is cool. Be sure to keep the running stich thread in place so that you can easily open and close the circle again to remove the template.

Learning how to appliqué while using tools designed specifically for the job at hand can save time, and make more difficult projects open to even the less experienced sewers.

What are some of your favorite tools for qppliqué, sewing, quilting, etc.?

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Quilting for Men

Men Who Quilt – Sew What?

Unique Exhibit on Display in Santa Paula

By Annie Eitman 10/13/2011

The California Oil Museum boasts an extensive display of local history consisting of antiques illustrating our region’s legacy in the oil industry. Soon, amid the various vintage tools hefted over the years by muscular and muddy derrick workers, the museum will be hosting a rather unusual exhibit. Just past the antique gas pumps and the authentic drilling rig built of cast iron and timber, the public will be able to view quilts crafted by men.

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Red Eyed Tree Frog Quilt by Rob Appell

“Men Quilting! Quilts Made by Men,” is the theme for the 13th Annual Heritage Valley Festival of Quilts. This unusual collection will be on display from Oct. 16 through Feb. 5 at the Museum.

Influenced perhaps by our uncertain economic times, quilting has enjoyed a bit of a comeback. Quilting offers both creativity and comfort, an artful outlet while serving a functional purpose. The stereotypical quilt is often a quaint, common throwback to the days when life was simple, and when people took otherwise wasted bits of material and fashioned them back to life.

More than 200 years ago, men who quilted were a common occurrence in places such as England. Quilts constructed by English soldiers were prominently displayed during the 19th and early 20th centuries. Today there are at least 21 million active quilters in the United States, but their profile has changed substantially. The average quilter is about 62 years-old, college educated and female, but there are exceptions.

Kai Johnson of Moorpark is 8 years old. This past summer his grandmother helped him piece together his first quilt, which will be on display at the California Oil Museum. His grandmother is an avid quilter, participating each year in the world’s largest outdoor quilt show in Sisters, Ore. His first quilt follows traditional patterns, but incorporates youthful colors. “My favorite part of quilting is choosing the colors and patterns of the fabrics and piecing the quilt together,” says Kai.

Today’s quilts don’t always follow the patterns of the past. Pictorial quilts often leave the rhythmic color play behind, opting instead to illustrate an event or idea. Roget Nguyen of Ventura will be exhibiting his quilts, “New York” and “Paris.” Both evoke the hustle and bustle of grand cities and remind one of modern art. Quilts in their creation, but cubist in their execution.

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Bengal Tiger Quilt by Rob Appell

Rob Appell, owner of The Cotton Ball Quilt Shop in Morro Bay, will have a few quilts in the exhibit. Appell’s works showcase his varied interests in surfing, design, science and protecting endangered species. One of Appell’s quilts features a dramatic, colorful close-up of a Bengal tiger. Like many of the exhibit’s displays, Appell’s quilt offers a rhythm not seen in traditional quilting — the tiger’s stripes form a jagged but repeating pattern, its bright green eyes challenge us. The tiger is part of a series dedicated to endangered species, with a portion of the revenue generated from sales of the quilt patterns donated to the World Wildlife Fund.

Appell notes the surge in male quilters: “I must admit I feel a bit confused by the guys starting to make it public that they make quilts. When I first started years back there were very few of us guys who were brave enough to confess that they made quilts, and now it is no longer such a rare thing. I love being recognized for my art, and yes, being a young male who makes quilts helps me to get recognized.”

“Men Quilting! Quilts Made by Men,” Oct. 16 through Feb. 5 at The California Oil Museum, 1001 E. Main St. in Santa Paula. The public is invited to attend the opening reception on Sunday, Oct. 16 from 1 to 3 p.m.. Light refreshments will be served. A short gallery talk by guest curator Linda Wilkinson will be held at 1:30 p.m. Hours: 10 a.m. to 4 p.m., Wednesday through Sunday.

eitman@mindspring.com

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