Binding a Quilt with Terry White

Binding by Machine
By Terry White

This is my method for binding a quilt by machine. I’ve used this method for about 15 years. I figure, if the whole quilt is made with the machine, why should I spend hours hand stitching the binding to the back of the quilt? My hands can’t deal with it, either! This technique is great for most quilts, clothing and quilted accessories…if, however, you are putting your quilt in certain competitions, you may want to use a more traditional method.

After I quilt a quilt, I trim the edges of my quilt and then use a ¼ inch zigzag stitch all around the edges of the quilt. This draws in the edge of the quilt so there are no puckers when the binding is attached. In this case, my friend Pam Mayo quilted my quilt on her big machine. She basted around the quilt, so I didn’t have to zigzag. Yay!

Cut binding fabric into strips 2 1/8” wide. Cut the fabric on the cross of the grain, which is across the 45 inch width of the fabric. The cross of the grain has some “give” which is a slight elastic quality, but not so much as the bias of the fabric. I like to use the cross grain because bias makes a very stretchy wavy binding and not necessary for a straight edged quilt. (Bias binding is good for scalloped edge quilts)Cut enough so that you can have at about 12 inches more than the length required to bind your quilt.

Join the fabric strips to make the length required to finish the quilt. The strips should be joined at a 45 degree angle.

This spreads out the seam allowance so there isn’t a big bulge in the binding at the seams.

The first three photos illustrate the set up to join fabric strips with a 45 degree angle. Fold and finger press the corner down on the second strip, set it on top of the first strip and stitch on the pressed line.

Use the center needle position and guide it right on the pressed line. Use the same needle, thread and stitching that you would when piecing a quilt. Cut the seam allowance to ¼ inch.

This is what the angled seam looks like. The next photo shows the pressing. You can press the seam open or to one side. This quilt is a “picnic quilt” and I want a sturdy seam, so I pressed the seams together to one side. I use a cardboard tube to roll my binding…it keeps it nice and neat.

I fold the binding as I go along stitching. This gives me great control. The pin is where I will start stitching. I placed the pin about 12 inches down from a corner of the quilt. I will start stitching where the pin is. I will need the extra binding and 12 inches of room to join the binding strips at the end.

Fold binding in half along the length and stitch to the back of the quilt using a straight stitch with 3 ½ stitch length and a ¼” seam allowance. My machine has lots of needle positions. I like to position the needle at the inside edge of the presser foot. This way the quilt can be moved by both feed teeth on the machine. I can also use a guide on the stitch plate to keep my seam consistent. It makes it easier to stitch. Use a 90/14 machine embroidery needle…this strong needle is required…a smaller needle will bend or break.

Miter the edges of the binding. I like to use a mitered edge and many quilters do. It makes a nice flat corner and it is surprisingly easy with a little practice. The following 5 photos show the simple steps to miter the corner of a quilt. I think the photos teach much better than words how to fold the edges to make the miter and finger press to give you a good 45 degree angle.

The photo above illustrates the point to stitch to, which is ¼ inch from the end. The next photo shows to turn the quilt, flip the corner and begin stitching ¼ inch from the corner.

Here is the quilt back mitered edge when folded to the front of the quilt.

Most of the binding is stitched to the quilt back. Here is where the extra binding makes joining the ends much easier. Leave about ten inches unstitched.

Cut a 45 degree angle on one of the binding ends. Cut it with about four inches of fabric from the end of the stitching. Fold this end and tuck it into the other end. Make a mark ½ inch in from the angled cut. Make another mark on the other edge of the binding strip.

You will have the edges overlapping ½ inch. This is so that you can stitch ¼ inch angled seam at the ends of the binding.

Sew the ends of the binding with right sides together.

Here is the last angled seam stretched out and the last stitching is finished.

Choose a big blanket stitch with open side of the stitches towards outside of quilt.

I like to use a thread that compliments the binding. This is one extra decorative touch to your quilt. I use the same thread in the top and the bobbin.

Fold binding to the front. Fold it over as you stitch around the quilt. Notice that the needle is positioned right on the edge of the binding.

Here is a section of the stitched binding.

Here is how to fold the mitered edge before stitching.

Here is the stitched mitered edge.

 

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Quilting Inspirations by Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

We continue with Paula Chung Lake Tahoe, California Visual Artist, Working in Fiber.

In thinking of a daily ritual in my life, the preparation for the day or night, always includes brushing my teeth–so what better objects to share with others than the visual image of toothbrushes in “Intimate Space.”.  The red “Reach” toothbrush was my metaphor for the striving I, and all artists do to become better artists.

Intimate Space by Paula Chung

Intimate Space by Paula Chung

Gerrie Congdon Portland, Oregon Artist, photographer, blogger, wife, mother, grandma.

Living in the beautiful Northwest, where I can be seen every day, “Walking with Mr C and Scooter.” My other passions are growing veggies and cooking great meals for family and friends.

Walking with Mc. C and Scooter by Gerrie Congdon

Walking with Mc. C and Scooter by Gerrie Congdon

Joanell Connolly Huntington Beach, California Artist, wife, mom, friend, inquiring, willing.

“Flowers in Her Hair and Expectations” is my artistic reflection of Marriage, a ritual with so much ephemera: the unknown that embellishes life, some anticipated and others a reality check. Other passions; we social dance often and learning to play the Ukulele.

Flowers in My Hair and Expectations by Joanell Connolly

Flowers in My Hair and Expectations by Joanell Connolly

 

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Quilting Inspirations from Dinner at Eight Artists

Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Loris Bogue of Simi Valley, California is an Art Quilter and Website Designer.

While researching the exact meaning of the word “rituals,” I came across an article online by Robbie Davis-Floyd which described rituals as Cosmic Gears…that will safely crank the individual through danger to safety.”  That inspired me to use an original photo of the gears that lift the elevator at the Eiffel Tower.  I manipulated the image in Photoshop© and had the results printed on cotton sateen fabric, which I then quilted as a wholecloth quilt.

Cosmic Gears by Loris Bogue

Cosmic Gears by Loris Bogue

Deborah Boschert of Crofton, Maryland describes herself as an, Artist, mother, wife, stitcher, code-breaker, dog lover, blogger, traveler, reader, laundry folder, coffee drinker, door opener.

Chairs are just so full of potential! They can symbolize many things and tell a story in unexpected ways. I also really love graphic landscapes. It was really fun to use this simple chair motif for “Blue Chair Mantra” with a variety of shapes, fabrics, edges, colors and patterns that would suggest hillsides and horizons.

Blue Chair Mantra by Deborah Boschert

Blue Chair Mantra by Deborah Boschert

Laurie Brainerd of Burbank, California -Artist

“Night, Night; Love, Love” was inspired by the ritual that my husband and I share where he tucks me in to bed each night.  I tried to capture the peacefulness that results with the color and lines of the piece.

Night, Night; Love, Love by Laurie Brainerd

Night, Night; Love, Love by Laurie Brainerd

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Quilting Inspirations from Dinner at Eight Artists

 Rituals~Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

Artist Frances Holliday Alford of Grafton, Vermont, friend, traveler, explorer, photographer, fiber junkie, Yorkie mom.

Hanbokwas inspired by the wonderful rituals and events she witnessed while serving as a US Peace Corps Volunteer in South Korea.  The native costume is used for the most formal events.

Hanbok by Frances Holliday Alford

Traditional rituals and ceremonies with the Korean Hanbok by Frances Holliday Alford

Artist Betty Amador of West Hills, California, painter, mother, music lover, reader, traveler.

I studied to become a medical artist when I met my future husband, a doctor from Cuba. I learned to love Spanish music and culture. After moving to L.A. we found a night club called “El Cid”, where we enjoyed many evenings watching others dance the flamenco. Memories of those wonderful nights that inspired Ritual Dance of Fire.”

The gypsy and the Ritual Fire Dance by Betty Amador

The gypsy and the Ritual Fire Dance by Betty Amador

Susan Bleiweiss of Upton, Massachusetts , quilter, book maker, author, teacher, cook, wife, doggy mom, nature lover, bird watcher, coffee drinker, and photographer.

I am intrigued by the idea that it’s the rituals in our lives that connect us to the past,  provide us with strength, comfort and encouragement to move through life in times of both sorrow and joy.  The three stitched columns in my Stillnesspiece are meant to reflect how it’s our rituals, both big and small connect us to our past, ground us in the present and give us comfort as we ease into tomorrow’s unknown.

Rituals that bind our past, present, and future by Susan Bleiweiss

Rituals that bind our past, present, and future by Susan Bleiweiss

 

 

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Rituals by Dinner at Eight Artists

Rituals~ Featured at International Quilt Market/Festival

Havel’s Scissors is proud to be a sponsor of Rituals by Curators, Jamie Fingal and Leslie Tucker Jenison.  Jamie and Leslie, along with forty artists, have come together to reveal the art that can be found in everyday life.  I had the privilege to see the exhibit at the International Quilt Festival in Houston this year.  The ingenuity of the artwork in the exhibit is nothing short of spectacular!  Each artist tells a story through the threads of the fabric.  And the stories that are woven through each piece will inspire you to live life to the fullest and appreciate each and every opportunity we are given to share with loved ones.

We begin the series with Artist Natalya Aikens of Pleasantville, New York.  She is a self described, artist, mother, wife, friend, and traveler.  Natalya draws and designs and is particularly interested in architectural details.  You can see her “House” come to life in Dacha.

Dacha

 

“Dacha” is at the heart of the ultimate Russian summer ritual. No matter how small or large, ultra modern or old and dilapidated….the dacha (summer house) is where summer takes place.

My passion is to instill in my young daughters the love of their Russian heritage and a delight in art.

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